The second of three issues of Sam Sarkar's THE VAULT is in stores today!
HURRY before they're gone!!
Cover art: ImageComics
It is 1960. When Jennifer Stirling wakes up in the hospital, she can remember nothing-not the tragic car accident that put her there, not her husband, not even who she is. She feels like a stranger in her own life until she stumbles upon an impassioned letter, signed simply "B", asking her to leave her husband.
Years later, in 2003, a journalist named Ellie discovers the same enigmatic letter in a forgotten file in her newspaper's archives. She becomes obsessed by the story and hopeful that it can resurrect her faltering career. Perhaps if these lovers had a happy ending she will find one to her own complicated love life, too. Ellie's search will rewrite history and help her see the truth about her own modern romance.
Eleven years ago, Jem Catterick and Ralph McLeary fell deeply in love. They thought it would be forever, that they'd found their happy ending. As everyone agreed, they were the perfect couple. Then two became four, and an apartment became a house. Romantic nights out became sleepless nights in. And they soon found that life wasn't quite so simple anymore. But through it all, Jem and Ralph still loved each other. Of course they did.
Now Jem is back at work part-time as a talent agent. Ralph, a successful painter, is struggling to come up with new, hopefully groundbreaking, work for his upcoming show. But the unimaginable has happened. Two people who were so right together are starting to drift apart And in the chaos of family life, Jem feels like she's losing herself, while Ralph, stuck on the sidelines, feels like he's lost his muse altogether. Something has to change. As they try to find a way back to each other, back to what they once had, they both become momentarily distracted—but maybe it's not too late to recapture happily ever after…
In an Indianapolis underground parking structure, Frank Behr is on an executive protection detail for Bernard “Bernie Cool” Kolodnik, a hard-driving business mogul on the verge of making a move into big-time Indiana politics. Behr is working for an exclusive investigation company, and it’s an uncomfortable fit, both literally and philosophically. The uneasy stability is quickly rocked by a burst of automatic weapons fire as an attempt is made on the prominent client, and Behr manages to protect him and repel the attackers. Though Behr is celebrated for his heroism, he can’t help but investigate what happened in that garage—and why the Indianapolis cops seem to be burying the incident.
When their men go off to war, Babe, Millie, and Grace, three childhood friends in Massachusetts, live on letters, and in dread of telegrams that can bring only bad news. But as the war drags on, and when peace breaks out, they experience changes that move them in directions they never dreamed possible. The women lose their innocence, struggle to raise their children, and find meaning and love in unexpected places.
>And as they change, so does America—from a country in which people know their place in the social hierarchy to a world in which women’s rights, the Civil Rights movement, and technological innovations present new possibilities and uncertainties.
Yet Babe, Millie, and Grace remain bonded by their past, even as their children grow up and away and a new society rises from the ashes of the war.
A story of war, loss, and the scars they leave, "Next To Love" depicts the enduring power of love and friendship, and illuminates a transformational moment in American history.
Twenty-five-year-old Jack Sparrow is a clean-cut merchant seaman pursuing a legitimate career as a first mate for the East India Trading Company. He sometimes thinks back to his boyhood pirating days, but he doesn’t miss Teague’s scrutiny or the constant threat of the noose. Besides, he doesn’t have much choice—he broke the Code when he freed a friend who had been accused of rogue piracy, and he can no longer show his face in Shipwreck Cove.
When Jack’s ship is attacked by pirates and his captain dies in the altercation, he suddenly finds himself in command. The wily sailor’s skillful negotiations with the pirate captain—who turns out to be a woman from his past—result in a favorable outcome that puts Jack in line for an official promotion.
After making port in Africa, Jack is summoned by Cutler Beckett, who makes him captain of a ship called the Wicked Wench. Beckett gives Jack an assignment. He has heard a legend about a magical island named Zerzura whose labyrinthine bowels are said to contain a glorious treasure. Beckett suspects that one of his house slaves, a girl named Ayisha, is from Zerzura. He asks Jack to take her along on his voyage and seduce her into divulging the island’s whereabouts. In payment for his services, Beckett promises Jack a share of the treasure...
The events begin when Maddie McGlade, a former nanny now in her nineties, receives a letter from the last of her charges and realizes that the time has come to unburden herself of a secret she has kept for over seventy years: what really happened on the last day in the life of Charlotte Ormond, the four-year-old only daughter of the big house where Maddie was employed as a young woman. It is to Charlotte's would-be niece, Anna—pregnant with her first—that Maddie will tell her story as she nears the end of her life in a lonely nursing home in Northern Ireland.
The book unfolds in chapters that alternate between Maddie's story and the prison diaries of Charlotte's mother, Harriet, who had been held responsible for her daughter's death. As Maddie confesses the truth to Anna, she unravels the Ormonds' complex family history, and also details her own life, marked by poverty, fear, sacrifice and lies. In stark contrast to Maddie is the misunderstood, haughty and yet surprisingly lyrical voice of Harriet's prison diaries, which Maddie has kept hidden for decades. Motherhood came no more easily to Harriet than did her role as mistress of a far-flung Irish estate. Proud and uncompromising, she is passionate about riding horses and collecting butterflies to store in her prized cabinet. When her only daughter, Charlotte, dies, allegedly as the result of Harriet's punitive actions, the community is quick to condemn her and send her to prison for the killing. Unwilling to stoop to defend herself and too absorbed in her own world of strict rules and repressed desires, she accepts the cruel destiny that is beyond her control even as, paradoxically, it sets her free.
Author's summary: Three years after her husband Max’s death, Shelley feels no more adjusted to being a widow than she did that first terrible day. That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max–same smile, same eyes, same age, same adorable bump in his nose–he could be Max’s long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.
As outrageous as Paolo’s claims seem–how could her husband be alive? And if he is, why hasn’t he looked her up? – Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down–if it is really Max– and along the way, Shelley recounts the European package tour where they had met. As she relives Max’s stories of bloody Parisian barricades,medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her “happily ever after.” And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.